Girl Skateboards, the Torrance-based company
known both for its superior skate team and for its
innovative videos, board graphics and print ads, has
remained focused on artistry and originality since its
founding in 1993 by professional skateboarder Rick
Howard and skateboarding filmmaker Spike Jonze (Being
John Malkovich), who still directs the company's
videos. "I think Girl is unique as a skateboard company
in that they really foster their art," says Rob Abeyta
Jr., a member of the creative team collectively called
the Girl Skateboard Art Dump, all of whose members
skate. "Put it this way: Girl's got six people in its
art department and two in the sales department," notes
designer Tony Larson. "The art thing is something they
totally embrace." Because the company is endorsed by the
best riders, adds designer Michael Leon, the onus of
selling the boards doesn't depend on the artists,
allowing them to exercise a lot of artistic freedom.
For
the upcoming local exhibition Would,
creative director Andy Jenkins, a legendary skateboard
graphic designer who codeveloped such youth culture mags
as Homeboy and the Sassy supplement
Dirt, came up with the template of an 11-inch
wooden figurine of the Girl logo. He and Abeyta, Larson,
Jenkins, Leon, fellow creative team member Andy Mueller
and special guests including Bob Kronbauer, who runs the
company's Crail Tap Web site, hand-painted a
total of 75 wooden girls to be sold for $100 each at
Three Gallery/Studio this Friday. The original 10 or so
painted dolls were photographed and became board
graphics. These figurines will be sold and replaced with
a Polaroid of the sculpture and its new owner, which
will hang throughout the run of the show. Proceeds
support further art projects; travel to exhibitions,
such as the upcoming one in Paris; and the artist-owned
and -run Three Gallery. Co-owner Edith Abeyta, Rob's
sister, curated the show.
Though still a marketing ploy, the dolls more
closely resemble the artist's more personal work. "This
is the closest thing I've done to the paintings I sell
at galleries," says Rob Abeyta. Though required to
incorporate the endorsing skaters' names, Abeyta applied
the same process -- varnishes, oils, gouaches and a
similar color palette -- that he uses on his canvas
paintings. The concept of painting onto wood cutouts and
then photographing them made them viable as a skateboard
graphic -- a Jenkins vision that, as usually happens,
the team sees the genius of in retrospect. "It frees us
up, because our canvas is already the logo, so we don't
even have to think about it -- there are no constraints,
you can just go nuts with it and do whatever you like,"
says Larson. The project characterizes the Girl
Skateboards ethos. "It's more personal. There's more
hand attention. It's more individual," Abeyta explains.
Leon concurs: "That's why Girl Skateboards doesn't look
like any other skate company."
| | originally
published: August 22, 2002
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